Musica Poetica. Musical-Rhetori cal Figures in German Baroque Music Dietrich Bartel of Nc-bra the U”I’Cr,’l) of: . Dietrich Bartel. Musica Poetica: Musical-Rhetorical Figures in the German Baroque. Lincoln and London: University of Nebraska Press, xv, pp. Musica poetica: musical-rhetorical figures in German Baroque music / Dietrich Bartel Bartel, Dietrich Bartel then turns to more detailed considerations of the.

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Yuki Osa rated it it was amazing Jan 28, Lists with This Book.

Short pithy statement of general truth. Repetition of the same letter or sound within nearby words. Description of a place. Repetition of the same word or words in the middle of successive sentences. The repetition of the same word or words at the beginning and middle of successive sentences. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque peotica and publications.

Ending a series of lines, phrases, clauses, or sentences with the same word or words. Generally, the arrangement of words, phrases, or clauses in an order of increasing importance, often in barhel structure. Gunther Martens marked it as to-read Jan 13, A series of four notes of short duration, moving either by step or by leap. Yana Karapetkova rated it it was amazing Dec 04, The Corded Shell Strikes Back. Musical Classes of Figures: No trivia or quizzes yet.


Dietrich Bartel, Musica Poetica Musical-Rhetorical Figures in German Baroque Music – PhilPapers

The Ad Herennium author refers to contrarium as a figure perhaps because of the opposition and frequent parallelism of such statements when expressed concisely. Columbia Bible College added it Apr 02, While keeping barrtel general meaning, ” encomium ” also names several distinct aspects of rhetoric: Ahle, Burmeister, Mattheson, Vogt, J. A kind of summary employed in the peroratio.

Denial of muslca contrary; opposite of amplification; understatement that intensifies, e. Composed of anaphora and epistrophecoenotes is simply a more specific kind of symploce the repetition of phrases, not merely words.

Bernhard, Burmeister, Herbst, Thuringus, J. Repeating the same word variously throughout a sentence or a thought. Williammazdra is currently reading it May 22, Bernhard, Mattheson Printz, Spiess, J. Monthly downloads Sorry, there are musjca enough data points to plot this chart.

There are no discussion topics on this book yet. University of Nebraska Press, Apology for the undeniable offenses of a friend. This entry has no external links. Annamary Kovacs added it Jan 16, Chad added it Sep 07, Plea in defence; defending one’s words or acts with reasonable excuses; excusing by necessity.


Musica Poetica: Musical-Rhetorical Figures in German Baroque Music by Dietrich Bartel

A figure apparent in delivery. A Handbook to Sixteenth-Century Rhetoric. Find it on Scholar. Zeugma comprises several more specialized terms, all of which employ ellipsis and parallelism among the governed members of the sentence.

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music

Clear, lucid, vivid description. Generic name for a group of figures aiming battel vivid, lively description. A transitional statement in which one explains what has been and what will be said. To belittle or to use a degrading epithet, often of a single word. The Ernest Bloch Lectures. Emily Dupere marked it as to-read Aug 11,